I design products, build the AI that runs them, and direct how they look. Nine years running my own studio, four years leading design at Limkokwing University's Centre for Content Creation, and building my own AI products under CUDALARI AI: a creative AI engine, a trading intelligence platform, an autonomous-systems platform and an original game IP.
I started in animation and CGI, moved into product and interface design, and now build AI systems. That path means I can take one idea from a node graph to a shipped interface to the campaign that launches it, without handing it off between departments.
I prototype and ship with AI build tools, Supabase back ends and model APIs, not only mockups.
Generative pipelines are judged by output quality, so I set the art direction as well as the architecture.
Roadmaps, monetisation, platform partners and investor material are part of the job.
Each row links to the work that proves it. Hover to preview, click to jump.
Alongside client and university work, I develop my own AI products under the CUDALARI name. I wrote each concept, architected the system, designed every screen and built the first working versions myself. They are in development and planned for launch.
A node-based engine that makes generative video and imagery controllable enough for real production. Lock a character, a colourway and a lighting set-up, then change one variable across hundreds of shots.
Multi-timeframe market analysis across crypto, equities and commodities, turned into visual analytics and an execution layer where users deploy their own strategy agents.
Autonomous drone infrastructure with decentralised spatial computing for critical-infrastructure protection, run from real-time predictive dashboards.
One optimisation core for institutions where thousands of people share finite rooms and staff. The fourth IP, Chronicles of the Ancestors, is in the games section.
My original game IP. World, story, characters, art direction and monetisation design are finished, produced with my own CUDALARI AI pipeline and ready for Unreal Engine 5 production.
Production-ready character concepts for the Chronicles cast.
Gems for high-tier cosmetics and Battle Passes.
Scrap and Aether earned in raids to craft and fortify the City Forest.
Sponsor Transmissions and in-world billboards instead of interstitials.
Mobile game · Pixel Orb Entertainment, co-founder
A puzzle and maths bubble-pop game for mobile. I led every creative part of it: the 2D and 3D assets, characters, level worlds like Willdorn, the in-game UI and the power-up economy.
Pop the bubbles · 0 popped
The rebuild adds detailed backgrounds, a new character cast and smoother animation across every level.
Launching on
Card game · Produced by Hamyar Homa
A cinematic strategy universe. Players command cosmic factions born from Earth's final legacy, forge alliances, collect lost technologies and command fleets.
in one deck
ArrivalGame 01
De-CodeGame 02
EliminationGame 03
One platform for everything a university runs. Academic, administrative, financial and marketing work share a single interface, so the institution can scale across campuses.
Replace disconnected tools across faculties with one system staff and students actually use every day.
A golf booking app for tee times, courses, caddies, carts and club services, from discovery to checkout.
Personal dashboard with upcoming sessions, search and quick booking.
Make booking a round as easy for a first-timer as for a club regular.
Two business products under one brand. I led branding, UI/UX and experience design so both apps read as one family.
Streamline operations, boost efficiency and drive growth with tools built for modern businesses.
Attendance ManagementTrack work hours, leave requests and schedules in real time for complete workforce visibility.
Employee Self-Service PortalStaff update personal information, request time off and access payslips instantly.
Performance TrackingMonitor performance, set goals and give actionable feedback to keep the team on track.
Payroll AutomationAccurate, on-time payroll processing that removes manual errors.
Streamlined RecruitmentManage the whole hiring process, from job posting to onboarding.
Centralized Employee DataAll employee information organized and accessible in one secure platform.
Fast & Secure TransactionsQuick, secure payments across cash, card and digital wallets.
Inventory ManagementLive stock levels across products and stores, updated with every sale.
Customizable ReportsDetailed sales, performance and financial reports for informed decisions.
Multi-Location SupportRun multiple stores from one system with synced inventory and sales.
Loyalty & PromotionsPersonalized discounts, rewards and campaigns that bring customers back.
Centralized DataEvery record organized and accessible in one secure platform.
Give small businesses HR and point-of-sale tools that feel like one product.
A small selectionThese frames are only a few pieces from a much larger body of past work across CGI, fashion, product, creative direction and agentic software development. Scroll through the reel and click any frame to open it.
A concept sneaker for Kanye West that went viral. Reposted by major sneaker and media pages, including forty_two_and_a_half.
Led Limkokwing's partnership with SneakerLAH, one of Southeast Asia's leading sneaker events, showcasing my sneaker designs.
Full 3D production and direction of an NFT artwork on Khayyam's poetry, made with a well-known Persian singer.
Cover design for the foundation's 2023 Annual Report.
Premium chair project. Product design, branding and high-end CGI, pairing industrial steel with a sculptural identity.
Investor memoranda, partnership proposals and interactive microsites for clients in hospitality, energy, aviation and higher education, from first pitch to stakeholder alignment.
I run social media and design output for every Limkokwing campus. That work is where I built my AI production pipeline: character-consistent campaigns, motion and music produced by one person at the pace of a full team.
Six-month pan-campus content planThree-tier calendar with around 65 dated moments across all campuses
Character-consistent AI image systemsNano Banana, Midjourney and Gemini across collage, 3D, risograph and folk styles
Motion graphics and video loopsSeedance, Remotion and Runway for national days and campaigns
Original music bedsSuno prompts scored to each campaign
World Youth Skills Day, Botswana and Lesotho national days, programme adsScripted, generated, edited and delivered in-house
The line has been on my CV since VisualCamp started. It still sets the bar, whether the output is a render, an interface or a model pipeline.
My own AI products, designed and built by me and planned for launch: CUDALARI AI, AURATRADE AI, VELAR and Chronicles of the Ancestors.
Sole content and design operator across eight campuses. Led UI/UX for the university's HRMS, CMS, PMS and accommodation systems, plus landing pages and campaigns.
Mobile game studio behind Hit Bubbles Saga.
Studio for CGI production, product and experience design for international clients.
Leadership and creative direction · Entrepreneurial and growth strategy · Client and stakeholder communication · Cross-functional collaboration · Rapid ideation · Storytelling and world-building · Market and user-behaviour insight · Running parallel projects · Resilience
From agentic AI workflows to CGI render engines. Highlighted tools are the ones I use most right now.
I work with a select group of founders, studios and institutions on problems where design, artificial intelligence and product strategy intersect. Engagements span creative direction, AI product architecture, and complete game and brand systems, each led personally from first principles to the final pixel. If you are building something meant to define its category, I would welcome the conversation.
